How to structure an expository essay「写作技巧」
How to structure an expository essay？If your college professor expects you’ll bring a brilliant essay for tomorrow morning class, and you don’t really know how to write a expository essay, then ask professional writer to complete this task for you in just a few hours. Otherwise, if you still have time and passion for trying yourself in this specific kind of writing, here are some clear guidelines on how to do it relatively quickly and easily.This article provides you with relevant writing expository essay tips, steps and examples for your reference.
一．How to structure an expository essay
Most college students in the United States get stuck thinking about how to start an expository essay or what parts should be included. Considering that it’s basically a research paper, it uses classic 5 paragraph style, which is recommended by most educational institutions in the country. This structural pattern helps to disclose all aspects of the specific topic, so expository essay maker will use this standard by default when you order this type of paper.
1.Introduction
start with brief discussion of subject in question. No matter what kind of narration will be chosen, it’s crucial to include brief explanation of what is to follow. Do not make it overly complex, but do best to explain why topic is relevant, why it makes sense within particular paper. Final sentence is thesis statement, which makes strong, yet careful argument without taking sides. Make it meaningful and informative, not as an assumption why something is so!
2.Body Paragraphs
this is where most details relate while writing an expository essay. Include descriptions, statistics, interesting facts, charts, quotes, visually appealing images, just anything, which will help explain specific concepts or ideas to your audience. If applicable, sort content by criteria of importance or difference, especially if it’s compare and contrast essay. Depending on type, provide analysis, explaining why given research method has been chosen.
在写说明性文章时，大部分细节都与此相关。包括描述，统计数据，有趣的事实，图表，引用，视觉上吸引人的图像，任何可以帮助你向听众解释特定概念或想法的东西。如果适用，可以根据内容的重要性或差异来分类，尤其是比较和对比文章。根据类型，提供分析，解释为什么选择给定的研究方法。
3.Conclusion
final essay paragraph represents wrapping up of all important facts in more accessible language. Task here is to help reader memorize everything that matters and guide him or her towards further information, which can be used for additional, deeper research. Make strong call to action if it fits within essay requirements, make personal assumption or give voice to your writing by using famous quote. This is your chance to liven up narration, adding emotional touch to scientific research.
二．how to start an expository essay examples
When writing a expository essay, consider organizing your work in the following manner. If you organize your writing following these several steps, it will save your time and make writing easier:
Step 1. Select your subject, create a topic.
For writing a really appealing paper, you should have a clear picture in mind. Try relating to your personal experiences, clearly imagining that restaurant you liked most, or a good friend of yours, or any other subject as task guidelines demand. Mind that the best topic is the one that is interesting for you. If you have difficulties coming up with a topic, use some expository essay topics EduBirdie has already prepared for your convenience.
Step 2. Develop a thesis statement.
Consider your notes and develop a thesis statement for expository essay. Make sure your thesis statement has two components: statement about the described subject and reasons supporting it. In the statement part, provide your own evaluation of place, person, or another described subject and then briefly explain what exactly makes you arrive at such conclusions. For instance, instead of just saying that Sarah is a really good friend, briefly explain why.
Step 3. Select specific details.
Whether you are describing a person, place, experience, or any other subject, think of major impressions this subject often produces on you. What do you particularly like or appreciate about it? Which features of this subject do you find especially interesting? For instance, if you think about describing a restaurant; in the first place, decide whether you believe it is a good or bad place. Then think of particular reasons that make you hold such an assumption. Make notes of both your major impressions and corresponding features of described subject.
Step 4. Create an outline.
When you came up with an idea, for instance, expository essay about a place, and listed some features you’d like to discuss in the essay, create detailed outline.
How do you write expository essay outline?
It is particularly convenient when students create detailed outlines. Such outlines should list all the information they plan including in their essays: their thesis statement, topic sentences, several supporting details, and concluding sentences for each of the body paragraphs, and a thesis restatement for a concluding paragraph.
当学生创建详细的轮廓时，这是特别方便的。这样的提纲应该列出他们计划在文章中包括的所有信息:他们的主题陈述，主题句，几个支持细节，每个主体段落的总结句，以及一个总结段落的主题重述。
Step 5. Write a draft, following your outline.
Using outlines, students will easily complete their first drafts: it is enough presenting all the information from an outline in an essay format. At this stage, pay attention to details you’d like to describe rather than to your writing style. Remember that this draft is not an essay yet. It is more like a skeleton of your future paper.
Step 6. Polish your essay, adding more imagery.
Re-read your draft and now concentrate on your writing style. Mind that expository essays are not about telling, but rather about showing. Rather than just stating that the restaurant is good, try showing it to readers by appealing to their senses. It is not necessary to appeal to all six senses, instead employ your own experience and choose senses that are most relevant to your topic.
重读你的草稿，现在专注于你的写作风格。记住，说明性文章不是关于讲述，而是关于展示。不要只是说这家餐厅很好，试着通过吸引读者的感官来展示它。没有必要诉诸所有的六种感官，而是利用你自己的经验，选择与你的主题最相关的感官。
You wouldn’t appreciate a cat description, in which authors appeal to taste, would you? Students achieve significant effect by adding imagery and dynamic language to their drafts.
Step 7. Proofread and format your final paper.
After adding all the imagery and making sure that writing style and speech are appropriate, proofread your text and format it in accordance with professor’s requirements. Usually, MLA formatting works well for this kind of essays, especially if you are a student at one of the US colleges. If you have doubts regarding formatting or need help with proofreading, writers on the platform will gladly provide affordable editing services.
三．expository essay example
Prompt:The title of this essay is:Culture And Language: A Need For Clarity In English Prose.There may be a difficult part in an essay or a treatise or a narrative. But then, if the whole unit goes above our head, the purpose of writing becomes useless. The reader is now a more enlightened person in a mass society. We should not take him/her for granted.
With the modern readers’ insistence on clarity, the demarcation between literature and Journalism has ceased to exist. The edit page of a newspaper, with certain exceptions, has moved away from the Journalistic jargons and bombasts. Literature, on the other hand, has tended to become more friendly to the ordinary readers with its rejection of egoistic efflux and unnecessary verbosity. Literary structures have become simpler to draw the attention of the readers to the subject matter while retaining the life and grace in the sentences. The appeal of Ruskin Bond to both the elites and the commoners is just an indication of the demand of the age. His narratives of superior clarity and grace mixed up with lyricism speak of high artistry in Indian English prose. The expository prose from the monks of the Sri Ramakrishna order is another example of a sincere motive in the interpretations of the Scripture.
When it comes to the notes and explanations of the Scripture, lucidity and a sattwic effort to be understood, is a necessary condition. The writer takes up the task to interpret the Gita, the Upanishads, the Quran, the Bible or a text by Vivekananda or Rumi or Sri Aurobindo. The commentator must have a sattwic attitude to make the texts clear for the common readers, although he is not asked to shun his artistic appeal. Endnotes must be as less as possible. We have noticed a horrible tendency of putting four or five pages of endnotes in a one page article! This is just awful and should not be done. This is the worst form of inflated ego in a writer.
当涉及到圣经的注释和解释时，清晰和sattwic的努力被理解是一个必要的条件。作者承担了解读《吉塔》、《奥义书》、《古兰经》、《圣经》或维韦卡南达、鲁米或斯里阿罗宾多的文本的任务。评论家必须有一种sattwic的态度，以使文本为普通读者清楚，尽管他不被要求回避他的艺术感染力。尾注必须尽可能少。我们已经注意到一种可怕的趋势，在一篇一页的文章中添加四到五页的尾注!这太糟糕了，不应该这么做。这是作家最糟糕的自我膨胀形式。
Vivekananda was simple, direct, forceful, was able to generate his personality into his flowing English prose. Listen to his honesty and charm even when he is writing against the deceptivity in some people:
I hate this world, this dream, this horrible nightmare, with its churches and chicaneries, its books and blackguardisms, its fair faces and false hearts, its howling righteousness on the surface and utter hollowness beneath, and above all, its sanctified shopkeeping. 1
This is in the high tone of a Hebrew prophet like Jeremiah, chastising people for hypocrisy. The passage is a significant proof of how masterfully Vivekananda could combine the phrasal and the clausal parallels in a heat of eloquence. The great monk also foreshadows the descriptive style of a modern writer like Ruskin Bond in his letters:
As I am writing to you, before me, reflecting the afternoon’s glow, stand long, long lines of huge snow peaks. They are about twenty miles as the crow flies from here, and forty through the circuitous mountain roads. 2
This is a very natural piece of word-painting. Quiet and relaxative, this immediately reminds us of Jim Corbett’s prose of relaxation in his narratives of adventure like The Man-Eaters of Kumaon and The Leopard of Rudraprayag and of Jawaharlal Nehru’s natural descriptions in a serene and leisurely mood. The monk also sounds quite futuristic in his smart descriptive technique, which we see so often in modern epistolary writings:
It is a beautiful mountain park I am living in now. On the north, extending almost all along the horizon, are peak after peak of the snow-clad Himalayas—- forests abounding. It is not cold here, neither very warm; the evenings and mornings are simply delicious. I should live to be here this summer, and when the rains set in , I go down to the plains to work. 3
Fine, fluent, clear and quite English, this is from the hands of a creative artist of an exceptional calibre. There is a person behind the words with his physical presence. There is no colour impression except for the white peaks; no gorgeous details. And yet it presents before our eyes a distinct image. The writer’s consciousness is replete with the memory of the Himalayas and he knows the art of a masterful clarity. An inferior writer would have given us images on images in abundance. It seems rather unfortunate from the point of view of literary art that he was too busy with his works. Within his short life, whatever he wrote, he wrote forcefully and in very clear terms. And here and there the dormant artist peeps in with a remarkable expressive skill.
It is true that we need a bit intricate structures and phrases sometimes to express certain intense realizations, as we see in The Master as I Saw Him from time to time. But then, the basic habit of clarity is an asset for any writer. Even Sri Aurobindo was a different writer after 24 November, 1926, after he had withdrawn into a single room for the rest of his life. It was the time for his great letters. What V.K. Gokak has written about these letters will throw light on Sri Aurobindo’s art. Let us have a look at Gokak’s inspired commentary:
The Master plays with an idea or image, word or sound: refutes current estimates; corrects by an Olympian glance critical misapprehensions; takes us through numerous ways to the primordial source of song. He lets fall casually in two or three letters, a whole body of aesthetics. An angelic humour flashes across the letters like gentle lightning now and then and the style is almost always limpid and crystalline, its lyric beauty contrasting sweetly with the architectural and epic grandeur of his major prose. 4
Sri Aurobindo became a relaxed preceptor after 1926 and all the complexities in his prose were gone after that. He was then wishing to pass on to his disciples whatever he had achieved. This indicates that when one is interpreting difficult things, a complicated treatise, a system of spiritual discipline, even the densely metaphorical Kathamrita(The Gospel of Sri Ramakrishna), one has to come down to meet the reader on his plane. If the interpretation becomes more difficult than the original text, then the act of interpretation or translation becomes useless. Every sentence should be carefully constructed or discovered with the target audience in mind. Here is an interpretative letter from Sri Aurobindo, which breaks the popular notion about him as a complex writer. This will also indicate his link with Sri Ramakrishna:
The Gita follows the Vedantic tradition which leans entirely on the Ishwara aspect of the Divine and speaks little of the Divine Mother because its object is to draw back from world-nature and arrive at the supreme realization beyond it; the Tantric tradition leans on the Shakti or Ishwari aspect and makes all depend on the Divine Mother because its object is to possess and dominate the world-nature and arrive at the supreme realization through it. This yoga insists on both the aspects; the surrender to the Divine Mother is essential, for without it there is no fulfillment of the object of the yoga.
The act of total dependence on the Divine Mother is the chief link between Sri Ramakrishna and Sri Aurobindo, the two complimentary schools of thought. One insists on encircling the post of the Mother by holding it firmly; the other calls Her the golden bridge, the magnet of our difficult ascent. Reaching the supreme heights of spirituality, both of them find a language of great clarity and force. One spoke it metaphorically, but clearly. The other wrote it out plainly, as much could be written of the Truth in terms of language.
完全依赖神圣母亲的行为是室利罗摩克里希纳和室利阿罗宾多之间的主要联系，这是两种互补的思想学派。一个人坚持要紧紧抓住母亲的职位;另一个叫她金桥，是我们艰难攀登的磁石。他们都达到了灵性的最高境界，找到了一种非常清晰和有力的语言。一个人说的是比喻，但很清楚。另一种是明明白白地写出来的，用语言就可以把真理写出来。
Let us come down to the mortals from the gods of language. While writing book reviews, one has to remember the task of summarising lucidly the content of the book and its style, as Dr. Prema Nandakumar does, as the sannyasis do with their sattwic nature. The reader expects to know about the book quickly, if he or she is not in a position to read the original. The reviewer fails in his/her task, when he/she makes an abstruse thesis out of the book, losing virtually all tracks to the book. This tendency in us has to be checked in order to write effectively for the readers, who come to the reviewer with a great expectation. Here is Dr. Prema Nandakumar writing on Dante and we may note in her English prose the presence of the artist and the clarifier at the same time:
The Journey ends only when the knowledge of love rushes in and pours on Dante’s being. When man’s “will and desire” are attuned to the love of God, the Heavens of the Ideal become the Earthly Paradise.
The question may well be asked: “What about the very difficult thought? Can it be expressed clearly, in a simple structure?” The answer is not hard to find. If one hundred percent of an article cannot be grasped, we have to suspect the author as a very egoistic person.
Perhaps it is helpful to think of an essay in terms of a conversation or debate with a classmate. If I were to discuss the cause of the Great Depression and its current effect on those who lived through the tumultuous time, there would be a beginning, middle, and end to the conversation. In fact, if I were to end the exposition in the middle of my second point, questions would arise concerning the current effects on those who lived through the Depression. Therefore, the expository essay must be complete, and logically so, leaving no doubt as to its intent or argument.
也许把一篇文章想象成与同学的对话或辩论是有帮助的。如果我要讨论大萧条的原因，以及它对那些经历过动荡时期的人目前的影响，对话将会有一个开头、中间和结尾。事实上，如果我在第二点的中间部分结束阐述，问题就会出现在那些经历过大萧条的人们身上。因此，说明性的文章必须是完整的，在逻辑上是这样的，对它的意图或论点留下毫无疑问。
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